Farrah Karapetian makes photography physical. Her work "marries two traditions in photography — that of the staged picture and of the image made
without a camera" (LA Times 2015.) Her photograms and the sculptural negatives she makes en route to their exposure move in and out of abstraction
and figuration and "disrupt and call attention to our era’s deeply entrenched response of permitting the constant newsfeed of documentary to slide
by us as political ephemera"(Georgia Review 2015.) The work is a conscious, relational strategy of personal encounter and exchange that hinges on a
sense of the contest between individual agency and authority.